About NaN Druid
Druid by name, Druid in nature. Mystic, magical and metaphysical, Druid is a two-headed font family that imagines and actualises the worlds of histories and the unexpected from the minds of Co-Archdruids Reymund Schröder and Anna Khorash. Conjured into a being of dual realms, the family features a serif and a sans-serif that share matching proportions and weights but diverge in their contrasting styles. The serif, uniquely, offers a lower contrast, lending it a text-friendly subtlety, while the sans-serif, with its higher contrast, commands attention as a display powerhouse while still having a choking legibility at text-size. This versatility is your power to wield.
The creation of such a beast can only occur through collaborative alchemy, born from the shared space where creativity brews. Here, Schröder and Khorash engaged in a symbiotic design process, imagining and reimagining the typeface as a living, evolving entity, each given equal authorship from the very beginning. The powerful pair planted Druid’s roots in a Jenson-adjacent, hybrid style that beautifully vibrates between antique and slab serifs. Druid Sans borrows its sibling’s humanist structure and applies it to a crystal-clear sans serif with very open counters. Its endings oscillate between flared and tapered, subtly giving away its calligraphic roots while infusing it with a sharp-but-not-spiky undertaste.
As such, both the families offer graphic clarity with a lucid, reduced structure, making them versatile across both display and text settings. With weights ranging from a delicate monolinear thin to a robust black, Druid and Druid Sans proudly present a spectrum of expression, each form sharply defined and purposefully crafted for visual impact.
Dowsing rods at the ready, Khorash and Schröder discovered greater inspiration from the mystical and the natural world, incorporating elements that echo our ancient connection to the earth and the esoteric. Druid embraces nature and nurture. The magic and the mysterious. Mistletoe, oak leaves, feathers, and bones. All woven into the very fibres of its characters. Look close and you’ll find such twists – from its ampersands to its paragraph marks, each glyph carries with it a story of alternative growths and hidden meanings.
Druid is your invitation to explore realms of divination, foresight, and the mystical – designed for those who seek to imbue their words with more than meaning. To instil them with soul and a touch of the arcane. Tread carefully.
Typeface: NaN Druid
Designed by: Anna Khorash & Reymund Schröder
Engineering: NaN Team
Additional Engineering: Igino Marini
Year: 2022-2024
Languages: Supporting 286 Latin based languages
(See PDF Specimen for detail)
Formats: TTF, WOFF2 (Autohinted)
No Master Only Druids!
Pharmacopoeia:
De Materia Medica
Neolithic Axe Factories
History of Herbalism, East Europe 1203
Der Begriff „leibeigen“ ist erstmals in einer von Adolf Friedrich I. von Mecklenburg herausgegebenen „Gesinde- und Bauernordnung“ von 1645 belegt.
THE RESIDENTS OF THESE EASTERN COUNTIES, STAUNCHLY PURITAN AND RABIDLY ANTI-CATHOLIC, WERE EASILY SWAYED BY BIGOTED PREACHERS INTENT ON ROOTING OUT HERESY.
Lysergic Acid Diethylamide* Is An Ergoline Derivative: 5-HT1A (Ki = 1.1 nM), 5-HT2A (Ki = 2.9 nM), 5-HT2B (Ki = 4.9 nM)
OEFENMATCHEN. KV Mechelen klopt Genk,
zuinige zege voor Standard
Rays Center Fielder No. 947 in Draft, No. 1 in Defense
ANALYSE. Iedereen kijkt naar Sagan
(behalve zijn eigen team)
Mendes vs. McGregor: UFC 189 Main Event Odds, Predictions and Tale of the Tape
Video: What It’s Like to Face a 150 M.P.H. Tennis Serve
Giants’ Jason Pierre-Paul Should Be Able to Overcome Loss of Finger, Former Players Say
Orienteering’s Key to Winning: Not Getting Lost
Boston’s 2024 Olympic Bid Faces Skepticism Despite New Proposal, Poll Finds
TINCTURE
#000 — Luciana Hainzelin
#001 — Leya Dombes
#002 — Anjana Defache
#003 — Aryelle Bergeal
#004 — Kameron Bidaux
#005 — Iliess Rochebouet
#006 — Narcisse Montanavelli
#007 — Johra Balannec
#008 — Rudie Gouabault
#009 — Pasqualino Bitout
#010 — Albertus Vignoulle
#011 — Joshua Jurion
#012 — Meloud Aude
#013 — Maroi Kessenheimer
#014 — Leana Serusclat
#015 — Samuella Thibus
#016 — Egle Grandazzi
#017 — Miia Langelier
#018 — Art Champandard
#019 — Gaella Sompayrac
#020 — Philippine Ferlisi
#021 — Chrislene Zemire
#022 — Keycha Desebe
#023 — Kamel Niault
#024 — Akime Boudol
#025 — Amadou Medez
#026 — Dastane De Blasiis
#027 — Bulent Brivezac
#028 — Azize Boussekine
#029 — Tatianna Neiva
#030 — Mordjane Pojer
#031 — Christ-Emmanuel Sergolle
#032 — Kaourantin Darbier
#033 — Sisley Pomes-Pedabadie
#034 — Antoine-Louis Sibertin-Blanc
#035 — Iara Hopquin
#036 — Erminia Boudjemaa
#037 — Djessi Farinaux
#038 — Indila Madine
#039 — Ceres Leobold
#040 — Maolan Addenet
#041 — Joab Palomino
#042 — Lenaick Jagorel
#043 — Maissa Spinetti
#044 — Garcia Diette
#045 — Rose-Hélène Monthioux
#046 — Lisy Mehah
#047 — Hayder Limer
#048 — Reneld Boulhic
#049 — Otto Duchambon
#050 — Loéva Priest
#051 — Romulus Wohlgemuth
#052 — Morena Vanfleteren
#053 — Ptissem Haquet
#054 — Maellysse Amadon
#055 — Véronica Lepeut
#056 — Alphena Dial
#057 — Thyana Degroisse
#058 — Dosithee Reissent
#059 — Annelie Grosdoigt
#060 — Alise Cattaud
#061 — Madalina Heizmann
#062 — Clothaire Leculee
#063 — Maureene Atache
#064 — Douae Vandenboren
#065 — Telmo Nouallet
#066 — Chaida Vigeon
#067 — Cloud Estampes
#068 — Gregorio Gutmann
#069 — Arnaldo Chauvanet
#070 — Ratib Le Peculier
#071 — Nassime Giboudot
#072 — Magnolia Kronenberger
#073 — Loryanne Mauchoffe
#074 — Eldin Schenegg
#075 — Hayna Basillais
#076 — Ylenia Peruzza
#077 — Lisandro Cotereau
#078 — Eusebia Montier
#079 — Liria Labasque
Having a cat was considered further proof of witchcraft, as witches were thought to have ‘familiars’, with cats being the most common.
WITCH FEVER SEIZED EAST ANGLIA FOR 14 DREADFUL MONTHS BETWEEN 1645 & 1646.
Arbeiter∗innen!
MAẞSTAB™
The distribution of stone axes serves as a significant indicator of prehistoric trade. To determine the origin of stone blades, a technique called thin sectioning is employed. In Europe, Neolithic ‘axe factories,’ where thousands of ground stone axes were roughly hewn, have been discovered in various locations, such as: Great Langdale, England (tuff) | Rathlin Island, Ireland (porcellanite) | Krzemionki, Poland (flint) | Neolithic flint mines of Spiennes, Belgium (flint) | Plancher-les-Mines, France (pelite) | Aosta Valley, Italy (omphacite). From the late Neolithic/Chalcolithic periods onwards, axes were crafted from copper or copper alloyed with arsenic. These axes were flat and hafted similarly to their stone counterparts. With the advent of Bronze metallurgy, the production method evolved, leading to the development of the ‘flanged axe’, followed by palstaves, and eventually winged and socketed axes.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
“NaN Druid*!”
“NaN Druid Sans*!”
DIE LEIBEIGENSCHAFT WURDE DURCH DIE GEBURT BEGRÜNDET; AUSSCHLAGGEBEND WAR DER STAND DER MUTTER. HATTE EIN WITWER KINDER AUS MEHREREN EHEN, KONNTE DIES SOGAR ZUR WEGNAHME VON KINDERN FÜHREN. FREIE KONNTEN IN UNFREIHEIT GERATEN. DIE „VERJÄHRUNG“ DES FREIEN STANDES TRAT EIN, WENN SICH EIN FREIER IN EINER GEGEND NIEDERLIESS, WO DIE LÄNDLICHE BEVÖLKERUNG LEIBEIGEN WAR. SELBST FREI GEBORENE KINDER WURDEN LEIBEIGEN, WENN IHRE ELTERN NACH DER GEBURT LEIBEIGEN WURDEN.WER SICH ALS FREIER NICHT MEHR WIRTSCHAFTLICH HALTEN KONNTE, KONNTE SICH IN LEIBEIGENSCHAFT BEGEBEN. UM WIRKSAMKEIT ZU ERLANGEN, MUSSTE DIESE ERKLÄRUNG IN EINEM ERGEBEBRIEF SCHRIFTLICH ABGEGEBEN WERDEN.AUCH MASSENEIDE NACH VORGEFERTIGTEN MUSTERN KAMEN VOR, MIT DENEN UNTERTANEN SICH VERPFLICHTETEN, SICH DEM LEIBHERRN MIT LEIB UND GUT NICHT ZU ENTFREMDEN, IN WÜRTTEMBERG 1282/1283 UND 1296/1297, UND IN BASEL 1499. DIE AUFHEBUNG DER LEIBEIGENSCHAFT KONNTE DURCH FREILASSUNG GEGEN ENTGELT UND NACH BELIEBEN DES GUTSHERRN ERFOLGEN.[55] DIE ABWESENHEIT VOM GUT HATTE DIE VERJÄHRUNG DES LEIBEIGENTUMS ZUR FOLGE. BEI LEDIGEN BETRUG DIE FRIST 31 JAHRE, SECHS WOCHEN UND DREI TAGE; BEI VERHEIRATETEN ZEHN JAHRE. IN WÜRTTEMBERG KAM ES IN AUSNAHMEFÄLLEN ZUM AUSTAUSCH VON LEIBEIGENEN ZWISCHEN EINZELNEN LEIBHERREN, INSBESONDERE IN ANGRENZENDEN TERRITORIEN. EIN WECHSEL KAM AUCH AUF INITIATIVE VON LEIBEIGENEN VOR, MEIST WENN SIE HEIRATEN UND DESHALB WEGZIEHEN WOLLTEN, ABER KEIN GELD FÜR EINEN FREIKAUF HATTEN. LEIBEIGENE KONNTEN MIT GÜTERN UND AUCH EINZELN VERKAUFT WERDEN.
Druid Avec
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
Druid Sans
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
”Humans were not alone in using herbs as medicines”
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts”, a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale. The set went through three limited edition printings before Schmidt suddenly died in early 1980, after which the card decks became rather rare and expensive. Sixteen years later software pioneer Peter Norton convinced Eno to let him create a fourth edition as Christmas gifts for his friends (not for sale, although they occasionally come up at auction). Eno’s decision to revisit the cards and his collaboration with Norton in revising them is described in detail in his 1996 book A Year with Swollen Appendices. With public interest in the cards undiminished, in 2001 Eno once again produced a new set of Oblique Strategies cards. The number and content of the cards vary according to the edition. In May 2013 a limited edition of 500 boxes, in burgundy rather than black, was issued. In 1970, Peter Schmidt created “The Thoughts Behind the Thoughts” a box containing 55 sentences letterpress printed onto disused prints that accumulated in his studio, which is still in Eno’s possession. Eno, who had known Schmidt since the late 1960s, had been pursuing a similar project himself, which he had handwritten onto a number of bamboo cards and given the name “Oblique Strategies” in 1974. There was a significant overlap between the two projects, and so, in late 1974, Schmidt and Eno combined them into a single pack of cards and offered them for general sale.
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@
ABCDEFGHIJKLMNOPQRSTUVWXYZ”
abcdefghijklmnopqrstuvwxyz
#0123456789
!?&%@
Variable Font Preview
Variable fonts are included with every order of a family or sub-family packageSelected Opentype Features
unshiped
Simpler Top Serifs
Evenement
Alternate -e-
Rolls Royce
Alternate -R-
45-918
Tabular Figures
aftettes
Discretionary Ligatures
Samples
NaN Druid Black
Primal Order – B+ Tier
NaN Druid Bold
Sacrificial Sheep: The Novel
NaN Druid Semibold
Proficiency with Medium Armor
NaN Druid Medium
La Biologie Synthétique
NaN Druid Regular
Ein über fuhr durch Gossensaß
NaN Druid Light
Disk-shaped cortical stack
NaN Druid Thin
doi:10.1016/S0014-5793(03)01062
NaN Druid Hairline
CRISPR-associated protein
NaN Druid Sans Black
Chamberlin, Powell & Bon (Wiki)
NaN Druid Sans Bold
10Y YIELD UP 10BPS TO 2.65%
NaN Druid Sans Semibold
Kerala State Television Awards 2016
NaN Druid Sans Medium
Patrick Hernandez 1978 → Born to Be Alive
NaN Druid Sans Regular
Siddhartha: Eine Indische Dichtung
NaN Druid Sans Light
National Institute of Kathak Dance
NaN Druid Sans Thin
Bleep Mix #232 – Nik Colk Void
NaN Druid Sans Hairline
Page length (in bytes) 26,229 – ish
Styles
- NaN Druid Sans Hairline
- NaN Druid Sans Thin
- NaN Druid Sans Light
- NaN Druid Sans Regular
- NaN Druid Sans Medium
- NaN Druid Sans Semibold
- NaN Druid Sans Bold
- NaN Druid Sans Black
- NaN Druid Hairline
- NaN Druid Thin
- NaN Druid Light
- NaN Druid Regular
- NaN Druid Medium
- NaN Druid Semibold
- NaN Druid Bold
- NaN Druid Black
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